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abraham prescott 19th century double bass

Abraham Prescott Early 19th Century Double Bass      Call For Price

Full Size Prescott Bass, Gamba Pattern from Early 19th Century
   
   Call For Price
Abraham-Prescott-Double-Bass

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  • Abraham-Prescott-Double-Bass
  • Abraham Prescott Early 19th Century Double Bass
  • Abraham Prescott Early 19th Century Double Bass
  • Abraham Prescott Early 19th Century Double Bass
  • Abraham Prescott Early 19th Century Double Bass
  • Abraham Prescott Early 19th Century Double Bass
  • Abraham Prescott Early 19th Century Double Bass
  • Abraham Prescott Early 19th Century Double Bass
  • Abraham Prescott Early 19th Century Double Bass
  • Abraham Prescott Early 19th Century Double Bass
  • Abraham Prescott Early 19th Century Double Bass
  • Abraham Prescott Early 19th Century Double Bass

Measurements:

Upper Bout:    22" 1/2

C Bout:    16" 1/2   

Lower Bout:    29" 3/4

Rib Taper:     6" 1/2 to 8" 1/2

Length of Back:    47" 1/2

String Length:    42" 1/2



Not a lot is known about Abraham Prescott. However, after combining on our collective research, we had enough information to create this overview of the history of the Prescott Workshop. This listing will be updated as more details and dates come to be known.  Strangely, we found more information researching Prescott Pianos and Organs than his Viols and Church Basses. 



Abraham Prescott (1789-1858) A young Abraham grew up just over the Massachusetts border in  in Deerfield, New Hampshire where he often worked in his Uncle's woodworking shop.  At an early age it is believed he took up the violin and learned about the construction of orchestral stringed instruments from his own fiddle.  It is thought he began making fiddles at a very early age and soon switch to building viols for local churches and musicians.  These early "Deerfield" Prescotts show quite a bit of individuality from instrument to instrument, as the young maker was perfecting his craft and refining the models.  Based on the great variety of instruments made, along with the tales the instruments tell us when examining the construction, Prescott was working without forms and templates.  His business grew and the addition of workers (Dearborn Brothers) began Prescott as more of a manufacturer of instruments.  The Dearborn's had perhaps some better training and the instruments made during this time have a greater sense of refinement.  In the early 1830's Abraham moved the workshop from Deerfield to Concord, New Hampshire to expand his production and by the mid to late 1830's began the construction of Melodians and eventually Organs.  By 1850 Abraham retired and left the business to his sons. In 1858 the firm became The Prescott Brothers, and at that time, the string instrument portion of the business was either sold off and/or continued by the Dearborn Brothers under their own name, however the production of orchestral instruments appears to have been over by the 1860s?  In the 1870s the business became the Prescott Organ Company but by 1886 Organs had been all but sidelined as the production of pianos was in full swing. By the 1890s, the Prescott Piano Company became the official name, with the listed officers being Willis Thompson (President) and George D.B. Prescott (Treasurer).  In 1896 the Concord facility was completely lost to fire and a new workshop was begun in a warehouse close to the original workshop. The company had a large distribution and dealer base throughout North America but eventually was out of business around the 1920s.